1,417 Free Artworks of Hand Colored Lithographs

hand-colored lithograph on paper the aboriginal portfolio lithographs in the smithsonian american art museum smithsonian american art museum james otto lewis ojibwa people ho-chunk hand-colored lithograph on wove paper national gallery of art lithographs in the national gallery of art (washington, d.c.)

View of the Great Treaty Held at Prairie Du Chien, September 1825, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

The Whale Fishery, "Laying On", Nathaniel Currier, circa 1852

american prints in the brooklyn museum nathaniel currier

Lombard, North Point and Greenwich Docks, San Francisco Bay ., Hugo Wilhelm Arthur Nahl, 1857

realist landscape paintings hugo wilhelm arthur nahl

View of Hamburg from the suburb of St. Georg across the Alster, Peter Suhr (1788-), 1830

historic views of hamburg by suhr brothers peter suhr ii

Winter Pastime, after F.F. Palmer, Nathaniel Currier, circa 1855

american prints in the brooklyn museum nathaniel currier

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TA-MA-KAKE-TOKE or the Woman that Spoke First; A Chippeway Woman (mourning), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

To the Washington Light Infantry of Washington City, Alfred Hoffy, 1839

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

Cincinnati in 1840 by John Caspar Wild, John Caspar Wild

cincinnati in the 1840s john caspar wild

NPG 99 167 42 Tshusick, Alfred Hoffy, 1838

smithsonian american women's history initiative national portrait gallery (united states)

Red Texas Wolf (Canis Lupus), John Woodhouse Audubon, 1845

canis rufus (illustrations)john woodhouse audubon

Rail Road Suspension Bridge Near Niagara Falls, Charles Parsons

niagara falls suspension bridge charles parsons (artist)

No-Way-Ke-Sug-Ga, Otoe, Alfred Hoffy, 1842

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

The yacht "Henrietta" 205 tons- modelled by Mr. Wm. Tooker, N.Y. built by Mr. Henry Steers, Greenpoint, L.I LCCN2002698873, Charles Parsons, 1867

19th-century chromolithographs 1867 lithographs

A Mid-day Halt on the Rio Trombutos, Brazil, George Catlin, ca. 1855-1860

lithographs by george catlin realism

Fox-Hunting Sketches: No. 9. The fences are very blind just now - and the riders too, occasionally, Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Fox-Hunting Sketches: No. 7. "The very best run of the season" - and Tommy Dumphty has a capital view of it, Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

Fox-Hunting Sketches: No. 6. Over the Hills and Far away. Yokel (To half-baked Stagger)., Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Rudyard Kipling, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

The Horse Guards &c. from St. James s Park, Thomas Shotter Boys, 1842

prints in the metropolitan museum of art thomas shotter boys

Extraordinary Express Across the Atlantic – Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846, Nathaniel Currier

prints in the metropolitan museum of art nathaniel currier

Attack by the English on Buenos Aires, 1807

files provided by the museo del bicentenario buenos aires in art

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Keokuk, Chief of the Sacs and Foxes, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Bird of Paradise (Paradisea apoda), William Matthew Hart, published 1875-1888

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

Chon-Ca-Pe, Henry Inman, 1837

lithographs in the national gallery of art (washington, d.c.)academic art

In the Woods, Émile Bernard, 1890

pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolism lithographs in the national gallery of art (washington, d.c.)

‘Tomb of Runjeet Singh’ (Samadh of Maharaja Ranjit Singh), one of the hand-colored lithographs by Dickson, London, from Original Sketches in the Punjaub, by a Lady, ca.1854

original sketches in the punjaub by a lady (1854)punjab region

Drury Lane Rags, James McNeill Whistler, 1888

prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism

Mazeppa - pl. 3 LCCN2017660409, Nathaniel Currier, 1846

currier and ives ride of mazeppa

Væddeløbsbanen, Henri de Toulouse-Lautrec, 1899

drawings by henri de toulouse-lautrec in the statens museum for kunst post-impressionism

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Hamburg von der Seite des Dammthors im Jahre 1700 (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

James McNeill Whistler, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Market Place Santo Domingo, Pop Hart, 1924

prints in the metropolitan museum of art pop hart

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CUT-TAA-TAS-TIA; A Celebrated Chief of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

New York Bay- from the telegraph station LCCN2002710663, Nathaniel Currier, between 1835 and 1856

lithographs of staten island, new york city new york harbor in art

The Favorite Cat, Nathaniel Currier, 1838–46

prints in the metropolitan museum of art nathaniel currier

"Sir, I offer you my respects and my daughter" from Metamorphoses of the Day, Jean Ignace Isidore Gérard Grandville, 1829

prints in the metropolitan museum of art symbolism

Payta Kootha, a Shawnee Warrior, Albert Newsam, 1836

lithographs in the national gallery of art (washington, d.c.)albert newsam

The American Fireman by Louis Maurer 1858, Louis Maurer

currier and ives louis maurer

Water Hunting for Deer, a Night Scene on the River Susquehanna Penn., from the series "Colt Revolver and Rifle", George Catlin, ca. 1855-1860

lithographs by george catlin realism

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Politics in an Oyster House, Michele Fanoli, 1851

lithographs in the national gallery of art (washington, d.c.)michel fanoli

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

La Menagerie Imperiale, 1871

hand-colored lithographs in the british museum la ménagerie impériale

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